Sundown in Rotterdam. The sun allowed me 30 minutes only to do a quick sketch of her. The changing scenery demands quick and clear choices, which is nice.
I used white, yellow ochre, cad red and indigo for this sketch
I had a great time painting plein air with Arne yesterday.
The sun was setting fast, so we had only about an hour to do a little sketch. In this hour, the sunlight changed dramatically, so we had to make descisions really fast. Having limited time is always good to stay extra focused, and also I find the light and colors of a sunset very beautiful.
This is me and my primitive setup...
And this is Arne, who works a bit more sophisticated...
Persoonshaven , Rotterdam, April 15th 2011 . On a sunny morning like this, the light changes extremely fast... It is best to define the placement of the shadows first, so you can still keep consistent lighting, when the sun is moving on... It can also be a good thing to limit the time to do the sketch, so the initial idea remains intact. After an hour, the scene has changed completely...
Yesterday's plein air sketch. Gouache on moleskine sketchbook.
I used only a few colors for this painting: -Titanium white -Ultramarine -Gold ochre (W&N) -Burnt Umber -Greenish yellow (talens) -Turquoise blue
I created most of the painting with only these colors. In the end, I added a few accents with: -vermillon (traffic lights and the barriers) -Cad yellow (foliage in the back left)
Sketch of a street in Rotterdam. These houses will be demolished soon, and have been neglected for a while now. You can see nature taking over. I loved the light when I decided to do the sketch here. It was cloudy, occasionally raining, but also sunny from time to time, which gave the backlit grass a vibrant coloring.